Black Sabbath Born Again Track List
| Born Again | ||||
|---|---|---|---|---|
 | ||||
| Studio album past Blackness Sabbath | ||||
| Released | vii August 1983 (1983-08-07) | |||
| Recorded | May 1983 | |||
| Studio | The Manor (Oxfordshire) | |||
| Genre | Heavy metal | |||
| Length | 41:04 | |||
| Label | Vertigo | |||
| Producer | Black Sabbath, Robin Black | |||
| Blackness Sabbath chronology | ||||
| ||||
Born Again is the eleventh studio album by English heavy metal band Black Sabbath. Released in August 1983, it is the only anthology the grouping recorded with atomic number 82 singer Ian Gillan, best known for his work with Deep Regal. It was also the last Black Sabbath album for ix years to feature original bassist Geezer Butler and the last to feature original drummer Bill Ward, though Ward did record a studio track with the band 15 years later their 1998 live album Reunion. The album has received mixed reviews from critics,[1] but was a commercial success upon its 1983 release, reaching No. four in the UK charts.[two] The album also hit the meridian 40 in the U.s..[three] In July 2021, guitarist and founding member Tony Iommi confirmed that the long lost original chief tapes of the album had been finally located, and that he was considering remixing the album for a future re-release.[iv]
Origins [edit]
Following the departure of vocalist Ronnie James Dio and drummer Vinny Appice in 1982, Sabbath'south future was in doubt. The ring switched management to Don Arden (Sharon Osbourne's father) and he suggested Ian Gillan every bit the new vocaliser.[5] "That band was put together on paper," guitarist Tony Iommi revealed in the 1992 documentary Black Sabbath: 1978–1992. "We'd never rehearsed."
The band had considered vocalists such as Robert Constitute and David Coverdale before settling on Gillan.[6] They even received an audition record from a and then-unknown Michael Bolton.[v] Iommi told Hit Parader magazine in late 1983 that Gillan was the best candidate, saying "His shriek is legendary." Gillan was at first reluctant, only his manager convinced him to meet with Iommi and Butler at The Conduct, a pub in Oxford. Later on a dark of heavy drinking,[5] Gillan officially committed to the project in February 1983.[7]
The project was originally intended to be a new supergroup, and the members of the group had no intention of billing themselves every bit Black Sabbath.[5] At some signal afterwards recording had been completed, Arden insisted that they employ the recognizable Sabbath name, and the members were overruled.[5] "We thought we were doing a kind of Gillan-Iommi-Butler-Ward album…" recalled bassist Geezer Butler. "That is the way we approached the album. When nosotros had finished the album, we took it to the record company and they said, 'Well, here's the contract: it is going to exit as a Blackness Sabbath album."[8]
Born Again featured the return of founding member Neb Ward on drums, who was newly sober after leaving the band in 1980 to deal with his alcoholism.[nine] Ward began drinking again near the end of the sessions and returned to Los Angeles for treatment one time the album was completed, and has remained sober ever since.[five] Ward has said that he enjoyed making the anthology, which remains his final studio album with the band.[ten]
Recording [edit]
Sabbath began recording in May 1983 at Richard Branson's Estate Studio, in the Oxfordshire countryside.[11] Producer Robin Blackness had worked with the band in the mid-1970s, as engineer on Sabotage.
In his autobiography, Iommi recounts Gillan informing him that, during sessions, he planned to live outside the business firm in a marquee tent: "I idea he was joking, but when I arrived at the Manor I saw this marquee exterior and I thought, fucking hell, he'due south serious. Ian had put up this big, huge tent. Information technology had a cooking area and a bedroom and any else." Gillan brought an immediacy to the songwriting that was uncommon for Sabbath: "Ian's lyrics were about sexual things or true facts, fifty-fifty about stuff that happened at The Manor at that place then," Iommi recalls in his memoir. "They were skillful, but quite a departure from Geezer'south and Ronnie's lyrics." For case, Gillan returned from a local pub one evening, took a automobile belonging to drummer Ward, and commenced racing around a go-cart rail on the Manor Studio belongings. He crashed the car, which burst into flames subsequently he escaped uninjured. He wrote the album'southward opening "Trashed" virtually the experience.[5]
"Disturbing the Priest" was written later a rehearsal space – set up by Iommi in a small building virtually a local church – received dissonance complaints from the resident priests.[5] "We wanted this effect on 'Disturbing the Priest'," recalled the guitarist, "and Neb got this big bucket of water and he got this anvil. It was really heavy, and he'd got it hanging on a piece of rope and lower it in to become this effect: hit information technology and lower it in, and and then lift it out once again. It was a swell effect, but it took hours to do."[12]
"I did some of the best drum work on that album…" Bill Ward recalled. "On 'Disturbing the Priest', there were some polyrhythms and some counterpoint things that I was doing, and I was using at least xx different pieces of percussion towards the end of that song… I was real proud of a lot of the work that I did. Some of it invariably got lost in the mix, only I know that it's printed on those tracks."[13]
The band got along well, but it became apparent to all involved that Gillan's style did not quite mesh with the Sabbath sound. In 1992, he told manager Martin Baker, "I was the worst singer Black Sabbath always had. Information technology was totally, totally incompatible with any music they'd ever done. I didn't habiliment leathers, I wasn't of that image...I think the fans probably were in a full state of confusion." In 1992, Iommi admitted to Guitar Globe, "Ian is a great singer, but he's from a completely different groundwork, and it was difficult for him to come in and sing Sabbath material."
"I saw Ian go into the studio i 24-hour interval," Ward recalled, "and I was fortunate and honoured, actually, to exist part of a session. I watched him lay tracks on 'Go along It Warm'… I felt similar Ian was Ian in that song… I watched this incredible transformation of this man that actually, I felt, delicately put lyrics together. It made sense. I thought he did an fantabulous job. And I actually dig that song too."[14]
When the band heard the final product, they were horrified at the muffled mix. In his autobiography, Iommi explains that Gillan inadvertently blew a couple of tweeters in the studio speakers by playing the backing tracks besides loud and nobody noticed. "Nosotros just thought it was a bit of a funny audio, but it went very wrong somewhere between the mix and the mastering and the pressing of that album...the sound was actually dull and muffly. I didn't know about it, because nosotros were already out on tour in Europe. By the time we heard the album, it was out and in the charts, but the audio was awful."
For all his misgivings, Gillan remembers the period fondly, stating in the Black Sabbath: 1978–1992 documentary, "But by God, we had a good twelvemonth...And the songs, I remember, were quite expert."
Breakup [edit]
Post-obit the tour supporting Born Again, this version of Blackness Sabbath fell apart, with Gillan and Ward parting. The bout was too a breaking indicate for Butler, who admits in the Black Sabbath: 1978–1992 documentary, "I just got totally disillusioned with the whole affair and I left some time in 1984 later on the Born Once more tour. I only had enough of information technology." In 2015 Butler clarified to Dave Everley of Classic Rock: "I left because my second child was born and he was having bug, so I wanted to stay with him. I told Tony I couldn't concentrate on the ring anymore. Just I never vicious out with anybody." Butler says the looming Deep Purple reunion played a large role in Gillan's decision to get out.[15] Disagreements with management also contributed to the band's dissolution.[fifteen] Bevan would briefly render to the Sabbath fold in 1986-87 to record cymbal overdubs for the album The Eternal Idol.
Album embrace [edit]
The comprehend – depicting what Martin Popoff described equally a "garish red devil-infant" – is by Steve 'Krusher' Joule; a Kerrang! designer who also worked on Ozzy Osbourne's Speak of the Devil. Information technology is based on a blackness-and-white photocopy of a photo published in a 1968 mag.[16] The same photograph was used for 12-inch versions of Depeche Mode'due south "New Life".
"I didn't have any participation in the album embrace," recalled Bill Ward. "When I saw it, I hated it."[14]
Ian Gillan told the press that he vomited when he first saw the pic. All the same, Tony Iommi approved the encompass,[17] which has been considered one of the worst ever.[one] Ben Mitchell of Blender called the embrace "awful".[18] The British magazine, Kerrang!, ranked the embrace in second identify, behind only the Scorpions' Lovedrive, on their listing of "10 Worst Album Sleeves in Metal/Hard Rock". The list was based on votes from the mag's readers.[19] NME included the sleeve on their list of the "29 sickest album covers always".[twenty] Sabbath's manager Don Arden was quite hostile towards the band's ex-vocaliser Ozzy Osbourne, who had recently married his manager Sharon,[21] and was fond of telling Osbourne that his children resembled the Born Again cover.[21]
Release and reception [edit]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [i] |
| Blender | [18] |
| The Rolling Stone Album Guide | [22] |
| Sputnikmusic | 2/5[23] |
| Metal Forces | 8/10[24] |
| Martin Popoff | ten/ten[25] |
Born Again was released in August 1983[i] and was a commercial success. It was the highest charting Black Sabbath album in the United Kingdom since Sabbath Bloody Sabbath (1973) and became an American Top twoscore hitting.[26] Despite this, information technology became the start Black Sabbath album to non have whatever RIAA certification in the Us.
The album received mixed reviews upon its release.[27] AllMusic's Eduardo Rivadavia wrote that the album has "gone downward every bit one of heavy metal'south all-fourth dimension greatest disappointments" and described "Zero the Hero", "Hot Line", and "Keep It Warm" equally "embarrassing".[1] Blender contributor Ben Mitchell gave the anthology one out of five stars and claimed that the music on Born Once more was worse than its embrace.[18] Martin Charles Potent, the writer of The Essential Rock Discography, wrote that information technology was "an exercise in heavy-metal cliché".[28] However, Popmatters contributor Adrien Begrand has noted the album every bit "overlooked".[27] The British magazine Metallic Forces defined it "a very skillful album" even if "Gillan may not exist the perfect frontman for the Sabs".[24]
Despite the overall negative reception with critics, the album remains a fan favorite. Author Martin Popoff has written that "if any album in the history of Blackness Sabbath is getting a new set of horns up from metalheads here deep into the new century, information technology'southward Born Again."[7] Industrial metal band Godflesh and expiry metal band Cannibal Corpse both accept covered "Zero the Hero", the former appears on the Masters Of Misery - Blackness Sabbath: The Earache Tribute album while the latter is featured on the Hammer Smashed Face EP. Cannbibal Corpse'southward old singer, Chris Barnes, has called Born Again his favourite Black Sabbath anthology.[29] "Zero the Hero" has also been cited every bit the inspiration for the Guns N' Roses hit "Paradise Metropolis",[30] and in his autobiography Iommi as well suggests the Beastie Boys may have borrowed the riff from "Hot Line" for their hit "(You Gotta) Fight For Your Right (To Party!)". Metallica drummer Lars Ulrich has called Born Over again "one of the best Blackness Sabbath albums".[31] Bill Stevenson, former drummer of Blackness Flag, stated the band was listening to the anthology effectually the time of My War, defining songs similar "Trashed" and "Disturbing the Priest" as "platonic".[32]
In 1984, Ozzy Osbourne stated that the album was the "all-time thing I've heard from Sabbath since the original group bankrupt up".[33] Butler has pointed to "Zero the Hero" and "Disturbing the Priest" equally his favorites on the album.[15] In 1992 Iommi confessed to Guitar Globe, "To be honest, I didn't like some of the songs on that album, and the product was awful. We never had fourth dimension to test the pressings after it was recorded, and something happened to it by the time it got released."
A re-mastered 'Deluxe Expanded Edition' of Built-in Again was released in May 2011 by Sanctuary Records. Information technology included several live tracks from the 1983 Reading Festival originally featured on BBC Radio 1's Friday Stone Show. Though the release was remastered, information technology was not remixed due to the inability to locate the original master tapes, as well every bit Sanctuary non wanting delay the release in an effort to locate said tapes for a remix.[34]
In 2021, Tony Iommi claimed that the original master tapes, long idea lost, had been institute and that he was considering remixing them for an eventual release.[35] [36]
Born Again Tour and Stonehenge props [edit]
According to Iommi's autobiography, Ward began drinking again near the end of the Born Again recording sessions and returned to Los Angeles for treatment. The band recruited Bev Bevan, who had played with The Movement and ELO,[37] for the upcoming tour in support of the new album. Gillan had all the lyrics to the Sabbath songs written out and plastered all over the stage, explaining to Martin Baker in 1992, "I couldn't go into my brain any of these lyrics...I cannot soak in these words. There's no storyline. I tin can't relate to what they hateful." Gillan attempted to overcome the problem by having a cue book with plastic pages on stage, which he would turn with his foot during the bear witness. Nonetheless, Gillan did not anticipate the "6 buckets" of dry ice that engulfed the phase, making it incommunicable for the singer to see the lyric sheets. "Ian wasn't very certain-footed either," Iommi writes in his memoir. "He one time fell over my pedal board. He was waving at the people, stepped back and, bang!, he went arse over head big time." Gillan also told Birch that information technology was Don Arden'south idea to open the bear witness with a crying baby blaring over the speakers and a dwarf fabricated to look exactly like the demonic baby depicted on the Born Again album cover miming to the screaming. "We noticed a dwarf walking around the day before the opening show...And we're proverb to Don, 'Nosotros think this is in the worst possible taste, this dwarf, you lot know?' And Don'due south going, 'Nah, the kids will dearest it, it'll be great.'"
The tour is about infamous, however, for the gigantic Stonehenge props the band used. Iommi recalls in his autobiography that it was Butler's idea but the designers took his measurements the wrong fashion and thought it was meant to exist life-size. Months later, while rehearsing for the tour at the Birmingham NEC, the phase set arrived. "Nosotros were in shock," writes Iommi. "This stuff was coming in and in and in. Information technology had all these huge columns in the back that were as wide as your average sleeping room, the columns in front were about thirteen feet high, and we had all the monitors and the side fills as well equally all this rock. It was fabricated of fiberglass and wood, and encarmine heavy." The set would be lampooned in Rob Reiner's 1984 rock music mockumentary This Is Spinal Tap, with the band having the opposite problem of having to use miniature Stonehenge stage props. Butler has said that he told the associate scriptwriter of the motion-picture show the story of the ring'south performances with their "Stonehenge" stage props.[38] In an interview for the documentary Blackness Sabbath: 1978–1992, Gillan claims Don Arden had the dwarf walk across the top of the Stonehenge props at the start of the show and, as the record of the screaming baby faded away, fall back "from about xxx-5 anxiety in the air on this big pile of mattresses. And then, 'Dong!' The bells start and the monks come out, the whole thing. Pure Spinal Tap." The band toured Europe first, playing the Reading Festival (a performance that is included on the 2011 deluxe edition of Born Again) and also playing in a bullring in Barcelona in September. Sabbath performed Gillan's hit with Deep Purple, "Fume on the H2o", on the tour, with Iommi explaining in his memoir, "information technology seemed similar a bum deal for him non to do any of his stuff while he was doing all of ours. I don't know if we played it properly but the audience loved information technology. The critics moaned; it was something out of the pocketbook and they didn't want to know and so." In October, the band took the Stonehenge set to America but could only use a portion of information technology at near gigs because the columns were too high. The fix was eventually abased. A music video for "Zero the Hero" was besides released, featuring performance footage of the band onstage interspersed with scenes involving several grotesque characters performing experiments on a witless young man in a haunted business firm filled with rats, roosters and a roaming horse.
Rail listing [edit]
Standard Edition [edit]
All songs credited to Tony Iommi, Geezer Butler, Bill Ward, and Ian Gillan, except where noted.
| No. | Title | Length |
|---|---|---|
| i. | "Trashed" | 4:sixteen |
| 2. | "Stonehenge" (Instrumental) | 1:58 |
| 3. | "Disturbing the Priest" | v:49 |
| 4. | "The Dark" (Instrumental) | 0:45 |
| 5. | "Zero the Hero" | seven:35 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| six. | "Digital Bowwow" | iii:39 | |
| seven. | "Built-in Once again" | 6:34 | |
| eight. | "Hot Line" | Iommi, Butler, Gillan | iv:52 |
| 9. | "Proceed It Warm" | Iommi, Butler, Gillan | five:36 |
2011 Deluxe Edition Disc 2 [edit]
Tracks 3-eleven recorded live at the Reading Festival on Saturday, August 27, 1983 and first aired on Friday Rock Testify via BBC Radio 1.[34]
| No. | Title | Length |
|---|---|---|
| i. | "The Fallen" (previously unreleased album session outtake) | 4:30 |
| two. | "Stonehenge" (extended version) | 4:47 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| three. | "Hot Line" | 4:55 | |
| 4. | "War Pigs" | Butler, Iommi, Ozzy Osbourne, Ward | seven:25 |
| 5. | "Black Sabbath" | Butler, Iommi, Osbourne, Ward | 7:11 |
| vi. | "The Dark" | 1:05 | |
| 7. | "Naught the Hero" | 6:55 | |
| 8. | "Digital Bowwow" | 3:34 | |
| 9. | "Iron Human" | Butler, Iommi, Ozzy Osbourne, Ward | 7:41 |
| 10. | "Smoke on the Water" | Ritchie Blackmore, Gillan, Roger Glover, Jon Lord, Ian Paice | four:56 |
| eleven. | "Paranoid (Features a pocket-size portion of the intro to Heaven & Hell with Gillan doing his signature harmonics)" | Butler, Iommi, Ozzy Osbourne, Ward | four:eighteen |
Personnel [edit]
Black Sabbath
- Ian Gillan – vocals
- Tony Iommi – guitars, guitar effects, flute
- Geezer Butler – bass, bass effects
- Bill Ward – drums, percussion
Boosted musicians
- Geoff Nicholls – keyboards
- Bev Bevan – drums (on 2011 Palatial Edition – Disc 2, tracks 3–11)
- Credits[39]
- Steve Barrett – art banana
- Black Sabbath – producer
- Robin Blackness – producer, engineer
- Stephen Chase – engineer, assistant engineer
- Paul Clark – co-ordination
- Hugh Gilmour – liner notes, design, reissue design, original sleeve design
- Ross Halfin – photography
- Steve Joule – artwork, cover design
- Peter Restey – equipment technician
- Ray Staff – remastering
- Chris Walter – photography
Release history [edit]
| Region | Date | Label |
|---|---|---|
| Uk | August 1983 | Vertigo Records |
| U.s.a. | 4 October 1983 | Warner Bros. Records |
| Canada | 1983 | Warner Bros. Records |
| United kingdom | 1996 | Castle Communications |
| United Kingdom | 2004 | Sanctuary Records |
Charts [edit]
Come across likewise [edit]
- Born Over again Tour 1983
References [edit]
- ^ a b c d e Rivadavia, Eduardo. "Born Once again > Overview". Allmusic . Retrieved 1 Nov 2009.
- ^ "Gillan the Hero". Archived from the original on xviii October 2009. Retrieved ane November 2009.
- ^ "Billboard Superlative 200". Billboard . Retrieved 1 November 2009. [ permanent dead link ]
- ^ Blabbermouth (26 June 2021). "TONY IOMMI Says Original Tapes For Blackness SABBATH'southward 'Built-in Again' Album Have Been Found: 'I'one thousand Thinking Of Remixing' It". BLABBERMOUTH.NET . Retrieved 14 November 2021.
- ^ a b c d e f g h Iommi, Tony (2011). Iron Human being: My Journey Through Sky and Hell with Blackness Sabbath. Da Capo Press. ISBN978-0306819551.
- ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 201. ISBN1-55022-731-9.
- ^ a b Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 198. ISBN1-55022-731-9.
- ^ Swedish TV interview, circulate April 1994, transcribed by Ola Malmström in Sabbath fanzine Southern Cantankerous #14, p19, October 1994
- ^ Popoff, Martin (2006). Blackness Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 197. ISBN1-55022-731-9.
- ^ Wright, Michael. "Bill Ward Tells Sabbath Tales and Talks Reunion". Archived from the original on 29 June 2011. Retrieved iv September 2010.
- ^ Thompson, Dave (2004). Smoke on the Water: The Deep Imperial Story. ECW Press. p. 234. ISBNane-55022-618-5.
- ^ Scott, Peter (May 1998). "Tony Iommi Interview". Southern Cross (Sabbath fanzine) #21. p. 46.
- ^ Schroer, Ron (Oct 1996). "Bill Ward and the Hand of Doom – Part III: Disturbing the Peace". Southern Cross (Sabbath fanzine) #18. p. 25.
- ^ a b Schroer, Ron (October 1996). "Bill Ward and the Hand of Doom – Role Iii: Disturbing the Peace". Southern Cross (Sabbath fanzine) #eighteen. p. 24.
- ^ a b c "Geezer Butler Discusses Veganism, Religion, Politics, Surveillance, and Life Lessons". bryanreesman.com. 27 March 2014. Retrieved 1 September 2019.
- ^ Siegler, Joe. "Blackness Sabbath Online: Born Once again". Blackness Sabbath Online. Archived from the original on xiv Jan 2012. Retrieved vii August 2017.
...the kickoff paradigm of a babe that I found was from the front encompass of a 1968 magazine called Mind Alive [...] we bashed the whole thing out in a night
– Steve Joule interview - ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 206. ISBNane-55022-731-9.
- ^ a b c Mitchell, Ben. "Born Again – Blender". Blender. Archived from the original on 29 Baronial 2010. Retrieved 3 September 2010.
- ^ "BLABBERMOUTH.NET – 10 Worst Album Sleeves in Metal/Hard Stone". Blabbermouth.net. Archived from the original on 27 Baronial 2004. Retrieved 4 September 2010.
- ^ "Pictures of NSFW - the 29 sickest anthology covers e'er - Photos - NME.COM". NME . Retrieved 4 September 2010.
- ^ a b Osbourne, Ozzy (2011). I Am Ozzy. Grand Primal Publishing. ISBN978-0446569903.
- ^ "Black Sabbath: Album Guide". Rolling Stone. Archived from the original on 27 April 2012. Retrieved 5 June 2012.
- ^ neekafat. "Born Again". Sputnikmusic.com . Retrieved 16 October 2019.
- ^ a b Barnell, Graham (1983). "Black Sabbath – Born Again". Metallic Forces (two). Retrieved 1 July 2012.
- ^ Popoff, Martin (1 Nov 2005). The Collector'due south Guide to Heavy Metal: Volume two: The Eighties. Burlington, Ontario, Canada: Collector'due south Guide Publishing. ISBN978-ane-894959-31-5.
- ^ Thompson, Dave (2004). Fume on the Water: The Deep Purple Story. ECW Printing. p. 237. ISBNi-55022-618-5.
- ^ a b Begrand, Adrien. "Alice Cooper: Portrait of the Artist equally a Burnt-Out Old Human being < PopMatters". PopMatters . Retrieved 3 September 2010.
- ^ Strong, Martin Charles (2006). The Essential Rock Discography. Canongate Books Ltd. p. 97. ISBN978-1-84195-827-nine.
- ^ Mudrian, Albert, ed. (2009). Precious Metal: Decibel Presents the Stories Behind 25 Farthermost Metal Masterpieces . Da Capo Printing. p. 158. ISBN978-0-306-81806-vi.
Blackness Sabbath Born Again.
- ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW printing. p. 210. ISBNane-55022-731-nine.
- ^ "BLABBERMOUTH.Internet – METALLICA's LARS ULRICH: 'Metal Is Like Herpes — It Never Goes Away'". Blabbermouth.net. Archived from the original on 8 September 2012. Retrieved 4 September 2010.
- ^ Blush, Steven; Petros, George (2001). American Hardcore: A Tribal History. Feral House. p. 73. ISBN9780922915712.
- ^ Hogan, Richard."Is Sabbath turning Regal?" (PDF). Archived from the original (PDF) on 18 December 2005. Retrieved 2012-07-xi . . Circus Magazine 02-29-84
- ^ a b Blabbermouth (12 April 2011). "BLACK SABBATH's 'Born Again' Deluxe-Expanded-Edition Reissue Was Remastered, Not Remixed". Blabbermouth.net . Retrieved 9 Baronial 2020.
- ^ "TONY IOMMI Says Original Tapes For BLACK SABBATH'south 'Born Again' Anthology Have Been Constitute: 'I'm Thinking Of Remixing' It". Blabbermouth.net. 26 June 2021. Retrieved 17 Dec 2021.
- ^ "Blackness Sabbath: Tony Iommi Considera Remixar O Álbum Born Again E Lançar Box Com Discos Da Era Tony Martin". Rockbizz.com.br. 26 June 2021. Retrieved 17 December 2021.
- ^ Bevan, who was still a member of ELO in 1983, had a long-fourth dimension relationship with Don Arden, as all of ELO'south albums from 1975's Face the Music forward were recorded for Arden'due south Jet Records label.
- ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. pp. 215–216. ISBNone-55022-731-ix.
- ^ "Built-in Again > Credits". Allmusic . Retrieved four September 2010.
- ^ "Offizielle Deutsche Charts" (in German). offiziellecharts.de. Retrieved 25 October 2021.
- ^ "Blackness Sabbath - Born Again". Hung Medien. Retrieved 25 Oct 2021.
- ^ "Black Sabbath - Born Again". Hung Medien. Retrieved 25 Oct 2021.
- ^ "Black Sabbath - Born Once more". Hung Medien. Retrieved 25 October 2021.
- ^ "Black Sabbath | total Official Chart History". Official Charts Visitor. Retrieved 25 Oct 2021.
- ^ "Chart History". Billboard. Retrieved 25 October 2021.
External links [edit]
- Built-in Again at Discogs (list of releases)
Source: https://en.wikipedia.org/wiki/Born_Again_%28Black_Sabbath_album%29
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